Professor Sarah Wilson
The Courtauld
University of London
Vernon Square,
London WC1X 9EW
+44 7989 189 451
Courtauld academic staff webpage
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The Courtauld Institute of Art, Paris-IV Sorbonne, PhD, MA… > see academic... Supervised research: 29 PhDs, over 150 MA dissertations… > donwload pdf Lectures/talks/introductions… > donwload pdf Royal Academy of Art, Guggenheim Bilbao, Whitechapel Art Gallery, Ludwig Museum, Centre Georges Pompidou, Guangzhou Triennale… > see curatorial...
Henri Matisse, Francis Picabia, Jean Fautrier, Pablo Picasso, Pierre Klossowski, Gaston Chaissac, Max Ernst, Jean-François Lyotard, Jacques Monory, Gilles Deleuze, Louis Althusser, Boris Taslitzky, Alina Szapocznikow, ORLAN, Sheila Hicks, Judit Reigl, Niki de Saint Phalle, Olga Chernysheva… > see publications...
AICA, Calvert 22, Academia.edu, Wikipedia… > see links...
Les Immatériaux, Picasso Dalí, Judit Reigl, Métamatic… > see videos...
Index of artists & philosophers in publications… > see index...
Illustrated
bibliography in pdf format… > donwload pdf |
Sarah Wilson is an art historian, curator and writer. Her global art
interests are informed by specialisms in postwar and Cold War Europe
extending to contemporary art across the former Soviet Union and Asia.
In 2015, she was co-curator and curator for the academic forum of the
1st Asian Biennale / Fifth Guangzhou Triennial, China. During the
academic year 2023-24 she became an Honorary Professor at University
College London, a member of the Comité Cezanne, served as a jury member
for the Auschwitz Foundation Prize and Grants committee, examined for
SEES (London University) and the University of Cambridge, and lectured
for Pushkin House and the Royal College of Art, London and the
Friedrich Schiller University, Jena.
She was educated at the University of Oxford (English Literature) and
at the Courtauld where she took her MA and Ph.D degrees. In 1997 she
was awarded the title Chevalier des Arts et des Lettres for services to
French art and culture. In 2015 she was the recipient of International
Association of Art Critics’ Award for Distinguished Contribution to Art
Criticism. She was Head of the Modern and Contemporary Department from
2005 – Spring 2008, Head of Graduate Diploma programmes, 2014-2015 and
has served on the Board of The Courtauld.
Former students are a source of particular pride. They now have
prominent positions in academia, museums and galleries all over the
world: in Britain, Tate, the British Museum, Design Museum, Scottish
National Gallery of Modern Art, British Council, London galleries such
as White Cube, Richard Saltoun, Edel Assanti, Max Hetzler, Nicoletti
Contemporary; in the US, the Virginia Museum of Fine Arts; in Europe,
the French Ministry of Culture, the Centre Georges Pompidou and the
Kunsthalle, Bremen, Henie Onstad Kunstsenter, Nordnorsk Kunstmuseum,
Museum of Modern Art Warsaw; at the Universities of London, Cambridge,
Bristol, Amsterdam, Munich, Washington Lee University and the École des
Beaux-Arts de Marseille.
Sarah Wilson is actively involved with the Courtauld alumni’s former
East Wing Collection, now VS1, Vernon Square. She continues to
celebrate alumni’s curatorial achievements at Frieze, the Venice
Biennale and elsewhere, actively launching alumni groups.
Sarah
Wilson’s global interests expanded firstly thanks to experiences
working for the Centre Georges Pompidou, with whose team she first
visited the USSR. Engagement continues after 2021 with Russian artists
in exile and our turn to Ukraine. Her curatorial experiences and the
‘Asia Time’ theme of the 1st Asian Biennale / Guangzhou Triennial,
2015, invoked richer East-West dialogues, and she supports the
Courtauld’s Dunghuang grotto initiatives. She celebrated the 40th
anniversary of philosopher Lyotard’s Postmodern condition in Hangzhou
in 2019, with her publication in Chinese and English. In 2021, she
celebrated ten years of the ‘Global Conceptualism’ MA devised with
Boris Groys. This links Anglo-American conceptual art, European
lineages stemming from Mallarmé, Duchamp and structural linguistics,
with conceptual art practices taken up beyond the ‘first’ world.
Sarah Wilson also lectures and teaches in Paris. In 2006-7 she
introduced an art history strand to final-year students at the École
Nationale Supérieure des Beaux-Arts. She was invited Professor at
Paris-IV Sorbonne for the academic years 2002-4, and from 2012-2013 she
held a chaire d’excellence at the University of Versailles
Saint-Quentin, with a project ‘Globalisation before globalisation:
avant-gardes, academies, revolutions’ and the conference ‘Network
Beaux-Arts, going global’ held in Paris and London. She was
commissioned by the French Ministry of Research to produce a report on
the plans for an Institut National d’Histoire de l’Art. (today’s INHA).
At the Courtauld, the doctoral and MA theses Sarah Wilson has
supervised over the years now constitute a unique English-language
archive in the field of post-1945 European and global art history,
leading to important alumni publications. Previous MA courses include
‘Towards contemporary art, Postmodernism and Postcommunism in Europe
and beyond’, and ‘Intellectual Revolution, Art and theory in France
after 1958.’ Current BA courses focus on contemporary art in London,
the history of performance art from Loïe Fuller to the present and
‘Learning from Paris’, which extends from the Holocaust and
existentialist responses to today. She has been responsible for
introducing works by several contemporary artists to the Courtauld’s
East Wing Collection (originated by the late Joshua Compston) and
actively contributes to the Research Forum’s programmes. Her commitment
to women artists has meant that Zofia Kulik and Alina Szapocznikow,
were exhibited in the East Wing Collection prior to their international
prominence. She believes strongly in working with living artists and
their archives.
Sarah Wilson has supervised 36 PhDs to completion and over 230 MA dissertations.
>
see theses supervised
Artists &
philosophers > see
index... 
Adel Abdessemed, Valerio Adami, Natalie Adamson, Gilles Aillaud, Ewa Axelrad, Louis Althusser, Roberto Alvarez-Rios, Arman, Hans Arp, Antonio Recalcati, Louis Aragon, Saleem Arif Quadri, Eduardo Arroyo, Antonin Artaud, Assia, Ron Athey, Evelyne Axell, Franko B., Francis Bacon, Joséphine Baker, Myriam Bat-Yosef, Jean Baudrillard, Roland Barthes, Henri Bergson, William Blake, Maurice Blanchot, Eric Boulatov, Pierre Bourdieu, Fernand Braudel, André Breton, Bernard Buffet, Pierre Buraglio, Alexander de Cadenet, Gaston Chaissac, Olga Chernysheva, Jean Clair, Joshua Compston, Henry-Claude Cousseau, Leonardo Cremonini, Henri Cueco, Raphaël Cuir, Pip Culbert, Salvador Dalí, Giles Deleuze, Richard Demarco, Jacques Derrida, Daniel Dezeuze, Gabriel Dubois, Marcel Duchamp, Jean Dubuffet, Marcin Dudek, Raoul Dufy, John Dugger, Paul Éluard, Erró, Max Ernst, Semyon Faibisovich, Lucio Fanti, Jean Fautrier, Yevgeniy Fiks, Lucien Fleury, Bruno Foucart, Michel Foucault, André Fougeron, Gabriel Fournier, Ruth Francken, Gérard Fromanger, Jean-Charles Gateau, William Gear, Jean Genet, Artemisia Gentileschi, Jochen Gerz, Alberto Giacometti, Stephen Gilbert, Mark Gisbourne, Françoise Gilot, Germaine Greer, Boris Groys, Francis Gruber, Félix Guattari, Maggi Hambling, Jean Hélion, Hessie, Nicholas Hewitt, Sheila Hicks, Susan Hiller, Ivon Hitchens, George Hooper, Aurélia Jaubert, Amelia Jones, Michel Journiac, Lucia Joyce, Tadeusz Kantor, Tomek Kitlinski, Peter Klasen, Yves Klein, Pierre Klossowski, Kiki Kogelnik, Alexandre Kojève, Josef Kosuth, György Kovásznai, Zofia Kulikab, Oleg Kulik, László Lakner, Marie-Anne Lansiaux, Charles Lapicque, Robert Lapoujade, Jean-Claude Latil, Le Corbusier, Fernand Léger, Nadia Khodossievitch Léger, Pawel Leszkowicz, Tilly Losch, Liliane Lijn, Jean-François Lyotard, Les Malassis, Émile Mâle, André Malraux, Alfred Manessier, Yann Marussich, Karl Marx, Raymond Mason, André Masson, Henri Matisse, Mireille Miailhe, Joan Miró, Jacques Monory, Marlow Moss, Willi Münzenberg, Katya Muromtseva, Libero Nardone, Reem Nazir, ORLAN, Pyotr Pavlensky, Francis Picabia, Pablo Picasso, Édouard Pignon, Bernard Pivot, Duncan Phillips, Serge Poliakoff, Chantal Pontbriand, Victor Pivovarov, Alexander Ponomarev, Bernard Rancillac, Judit Reigl, Rembrandt, Germaine Richier, Hans Richter, Fabio Rieti, François Rouan, Robert Sainsbury, Niki de Saint Phalle, Valentine de Saint-Point, Jean-Paul Sartre, Kurt Schwitters, Brian Sewell, Amrita Sher-Gil, Yinka Shonibare, Marianna Simnett, Adrien Sina, Alina Szapocznikow, Dorothea Tanning, Boris Taslitzky, Hervé Télémaque, Jean Tinguely, Yesenia Trobbiani, Amikam Toren, Françoise Vergès, Paule Vézelay, Germain Viatte, Dina Vierny, Wols, Andrzej Wrona, Nil Yalter, Fahrelnissa Zeid, Unica Zürn
Publications
> Books & Forthcoming
The Visual World of French Theory 2: Photography, Performance, Material, Concept, Dijon, Les presses du réel
SHE + ART – Women artists from East + West
Francis Picabia –Selections
Figurations ± 68 – Le monde visuel de la French Theory, Dijon, Les presses du réel, 2018
>
see publisher's website
Picasso/Marx and
socialist realism in France, Liverpool, Liverpool University Press,
2013
>
read this text...
The
Visual World of French Theory: Figurations, Yale
University Press, 2010, 272 pp >
read introduction...
>
read review... by Tom Conley,
Harvard University
>
read review... by Tom Huhn, Art in America
>
read review... by James Boaden, The Burlington Magazine
>
read review... by Christopher
Watkin, Art Newspaper
> order online... Yale
University Press
‘Francis Gruber, Nu dans l’atelier, 1944’, in Camille Lévêque-Claudet et Camille de Alencastro eds., Catalogue raisonné des peintures françaises 1800-1945 du Musée cantonal des Beaux-Arts de Lausanne, Lausanne, Musée cantonal, 2024.
‘Paule Vézelay, decades of self-reinvention’, in Simon Grant ed., Paule Vézelay, Living Lines, Bristol, Royal Western Academy; Eastbourne, Towner Art Gallery, London, Lund Humphries, 2025.
‘Rhetorics of representation : Returning to Boris Taslitzky’, in Verena
Krieger, Ella Falldorf eds., ‘To tear these images from time’, Exploring Visual Representations from Nazi Camps, Ghettos and the Holocaust, Friedrich Schiller University, Jena / Buchenwald Memorial, 2025
Postface, in Arianne Coulandre et al. eds., Sculpture. Une femme peut donc créer. Parcours, pratiques, visibilité et réception des sculptrices, XIX-XX siècles, Presses Universitaires de Vincennes, 2025
Editor’s
preface, Pierre Klossowski, Decadence of
the Nude, Maurice Blanchot, Laughter of the Gods, ed.
Sarah Wilson, Revisions, Black Dog Publishing, London, pp. 15-31
>
read this text...
Preface, Gilles Deleuze, Michel Foucault, Gérard
Fromanger, ed, Sarah Wilson, London, Black Dog Publishing
Ltd. pp. 38-56 >
read this text...
Editor’s
introduction & ‘Postmodern romantics /
Romantiques postmodernes’, in Jean-François Lyotard The
Assassination of Experience by Painting – Monory,
ed. Sarah Wilson, London, Black Dog Publishing, pp. 12-17, 21-81
> read this text...
Paris, Capital of the Arts,
1900-1968;
principal curator, Royal Academy of Art with Norman Rosenthal (in house
curator) toured to Guggenheim Museum Bilbao. Directed catalgoue in
English, French, German and Spanish editions. Bilbao version featured
in the Art Newspaper’s top ten shows of 2002 > see exhibition catalogue
Curated projects
at the Courtauld, 2013-17
Frieze
Week alumni breakfast. Catherine Petitgas: 'Bees and Butterflies:
reflections on collecting modern and contemporary art', 18 October 2017
Sarah Wilson in action with percussion provided by Opavivara! Rio de Janeiro, courtesy Catherine Petitgas 18 October 2017
Sophie Berrebi: 'Where things are', 8 October 2016
Frieze
Week alumni breakfast. Mark Gisbourne ‘Why Berlin?’, 17 October 2015 > follow this link...
‘Les
Immatériaux: towards the virtual with J.-F. Lyotard’, international
conference. The Courtauld Institute of Art, London, 27-28 March 2015
>
follow this link...
Susan Hiller
& Amikam Toren in conversation with Sarah Wilson, 4 November 2014
Revolutionary
Pop Art: György Kovásznai in Hungary (UK première, film screening), 13
June 2014
Yevgeniy Fiks with
actor Ben Cottom: ‘Queer issues: can a homosexual be a member of the
Communist Party?’, 5 March 2014
Josef Kosuth
with curator Katalin Keresu 6 Feb 2014: ‘Zeno At The Edge Of The Known
World’: a revisiting of the first ‘pavilion crossover’, at the 1996
Venice Biennale, in the aftermath of the Balkan conflict > follow this link...
Sheila Hicks
with Sarah Wilson, Courtauld Bubbly breakfast, Frieze week, 19 October
2013: a fête du fil in front of Sheila Hicks’s historic 1975 drape
hanging in the staircase with
Yesenia
Trobbiano’s performative ‘white feast’
>
follow this link...
Co-curator, ‘Asia Time’, 1st Asian Biennial /5th Guangzhou Triennial ,
Guangdong Museum of Art, Guangzhou, China. Saleem Arif, Books
without Boundaries (continuing project)
> see exhibition & catalogue...
Exhibition of the curatorial process for Pierre Klossowski and The Vicious Circle (Whitechapel Art Gallery, 2006, curated with Adrien Sina), Guangdong Museum of Art, Guangzhou
>
see exhibition...
‘Paper Museums, Moscow Conceptualism in transit’ (with PhD
student Elizaveta Butakhova) the John Hansard Gallery, University of
Southampton
>
see documentation & exhibition
Jean-François
Lyotard and Jacques Monory: Screens, Space Studio
& the Institut Français, London, co-curator with Paul
Pieroni, principal lender
>
see exhibition...
Pierre Klossowski retrospective exhibition with
Antony Spira (in house curator); toured to Ludwig Museum, Cologne,
Centre Georges Pompidou, Paris
>
see exhibition...
‘Pierre
Klossowski’, curated by Sarah Wilson. Whitechapel Art Gallery, 20
September - 19 November 2006 > follow this link...
‘Pierre
Klossowski’, curated by Sarah Wilson. Whitechapel Art Gallery, 20
September - 19 November 2006 > follow
this link...
The Vicious Circle with Adrien
Sina, with Antony Spira, connecting
Pierre Klossowski to Hans Bellmer (shown
in parallel at the Whitechapel
no catalogue). Selected by Daniel Birnbaum for Artforum’s
‘Best of 2006’
>
see exhibition...
Daniel Birnbaum, review, ‘The Vicious Circle’, Artforum Best of 2006, p. 270 >
read this text...
‘The Vicious Circle’, curated by Sarah Wilson and Adrien Sina. Whitechapel Art Gallery, 20
September - 19 November 2006. > follow
this link...
Paris, Capital of the Arts,
1900-1968;
principal curator, Royal Academy of Art with Norman Rosenthal (in house
curator) toured to Guggenheim Museum Bilbao. Directed catalgoue in
English, French, German and Spanish editions. Bilbao version featured
in the Art Newspaper’s top ten shows of 2002 > see exhibition catalogue
French
TV celebrity Bernard Pivot interviewed Sarah Wilson curator of the
exhibition “Paris: Capital of the Arts (1900-1968)”, at the Royal
Academy of Arts, for “Double je”, along with actress Lucy Russell and
National Gallery director, Neil MacGregor. Broadcast by France 2, 24
February, 2002. > see video stills
Exhibition review by Paul Webster. ‘Paris: Capital of the arts - State of the Art’, pp. 28-33
Exhibition review by James Hyman. ‘Paris: Capital of the arts - A Shot
in the Arm’, pp. 34-37
Paris from the avant garde to the barricades, Art of the Floating World, The Royal Academy Magazine, number 73, Winter 2001 >
read this text...
Paris, Capital of the Arts, 1900-1968, Guggenheim Bilbao. 28 May 2002 – 3 September 2002 > see exhibition guide
‘A New World
1947/1957/1967’ Musée des Beaux-Arts,
Montreal (co-curated with Pierre Theberge, project unrealised)
Féminin-masculin, le sexe de l’art, Centre Pompidou, Paris (dir.
Marie-Laure Bernadac) Comité scientifique
>
read this text...
L’Âme au corps, arts et sciences, 1792-1992,
Grand Palais, Paris, (dir. Jean Clair) Comité scientifique
Curator,
English section, La Planète Affolée,
Surrealisme, dispersion et influences
1938-1947, (dir. Germain Viatte), La Vieille Charité, Marseilles
>
read this text...
Germain
Viatte, Gaston Defferre, Sarah Wilson. La Planète Affolée, Surréalisme,
Dispersion et Influences, Musées de Marseille
>
read this text...
Raoul Dufy 1877-1953, London, Hayward Gallery, 9 November 1983 - 5 February 1994, co-curator with Bryan Robertson >
see exhibition catalogue
Raoul Dufy 1877-1953, London, Hayward Gallery, 9 November 1983 - 5 February 1994, co-curator with Bryan Robertson >
see exhibition guides
Exhibition review by John McEwen, ‘Raoul Dufy, from fauve to fashion’, in Art & Antiques, the American Magazine for Connoisseurs and Collectors, May 1984. pp. 96-102 >
see exhibition review 2
Exhibition review by Olivier Rousseau, ‘Raoul Dufy’, in Beaux Arts Magazine, n° 8, December 1983, pp. 32-41 >
see exhibition review 1
Aftermath, France 1945-1954. New Images of Man,
London, Barbican Art Gallery, in-house
curator (dir. Germain Viatte) contributed to edited and translated
catalogue >
exhibition catalogue
‘Aftermath, France 1945-1954. New Images of Man’, London, Barbican Art Gallery,
in-house curator with Germain Viatte, Centre Pompidou, Paris > see exhibition
Paris-Paris, Créations en France, 1937-1957,
Paris, Centre Georges
Pompidou, (dir. Germain Viatte), assistant and major contributor to
catalogue
>
read this text...
Throughout her career Sarah Wilson has worked with intellectuals and curators and artists from Europe, contributing to several Centre Pompidou catalogues following Paris-Paris, including Max Ernst (1992), Kurt Schwitters, (1994, and IVAM Valencia 1995, text used for Schwitters, Gateshead, Baltic, 1999), Face à l’histoire, Fémininmasculin – le Sexe de l’art, (1996, text used for Gender Performance in Photography, New York Guggenheim Soho, 1997), Beaubourg, La Trentaine (2007), Traces du Sacré (2008), Voids (2009) etc.
Forthcoming
‘AICA congress, Moscow-Tbilisi, September, 1989’, in Meyric-Hughes, Henry, Poinsot, Jean-Marc eds. A Celebration of AICAs 70th Anniversary / Une Célébration du 70ème anniversaire de l’AICA’, website
'Miriam Bat-Yosef, world citizen and artist', Mona Hadler, Kalliope
Minioudakis, eds., Pop Art and Beyond: Gender Race and Class in the
Global Sixties, London, I.B.Tauris
‘Roland Barthes / Bernard, Requichot: Painting's last gasp’, Leuphana
Incendiaires et pompiers: Picabia, les lettristes et autres néo-dadas
1946-1956, in Fabrice Flahutez, Julia Drost and Frédéric Alix eds., Le Lettrisme et son temps, Dijon, Presses du réel
Published
‘Bare Friendship, Future
friendship’ in conversation with Agata Jakubowska, Michał Murawski ed., A Form of Friendship: The Museum on the Square. Warsaw: Museum of Modern Art, 2024. p. 88-110
'Myriam Bat-Yosef. Surrealist and performance artist whose work
focussed on female self-exploration and political liberty’, The
Guardian, 4 January 2024, p. 11
>
read this text...
‘Rouan, François’ Lacan – L’exposition, Centre Pompidou Metz, p. 236
‘From postwar to our war: the wretched of the earth’, What Humanity? The Human figure after the War (1940-1966), Museo Nacional d’Art de Catalonia, pp. 30-35
‘Afterword: Wanda Czełkowska’s Heads in London, 2018,’ in M Taszycka ed., Wanda Czelkowsk. Art is not Rest, Muzeum Susch, Susch, pp. 137-14
‘Attestation 1’, with Michaël La Chance, Jenny Dousson, Carrie Pilto,
and Boris Groys (preface), Une oeuvre d’art face au tribunal. Sur
Pornopolitique de Piotr Pavlenski, Vauvert, Au diable vauvert, pp. 21-27
‘Eduardo Arroyo: Painter, Pugilist, Provocateur’, Eduardo Arroyyo, New York, Marlborough, 2022 (2023), pp. 5-18
‘Femme F(r)iction’, Femme F(r)iction. An exhibition celebrating Female Artists of the last 100 years, Academy Mansion, New York, LC1760, np.
‘Finally, the full Fautrier is revealed’, (Fautrier, catalogue raisonné), The Art Newspaper, 363, December, p. 57
>
read this text...
‘Lakner László szenvedélye; The Passion of László Lakner’, Lakner László, Alter Ego, Modem, Debrecen, pp. 77-107
‘New Wave Realism: after Godard after Althusser’, in Hiromi Matsui ed., Réalismes Revisités. Croisements et entre-croisements de la notion de 'Réalité' dans les arts, Tokyo, Sangen-sha, pp. 473-495 (in Japanese).
‘Realism and avant-garde movements: Splendours and Miseries of a great
metropolis’, Jean-Louis Cohen, Guillemette Morel Journel eds. Paris moderne, 1914-1945, Paris, Flammarion (Power Station of Art, Shanghai) pp. 244-253 (+French)
‘What’s in a Name? Hervé Télémaque, French Anti-Pop and Narrative
Figuration’, Joseph Constable and Elizabeth Bertier eds., Hervé Télémaque, Hopscotch of the Mind, London, Serpentine with Aspen Art Museum, 2022 (2023), pp. 51-65
‘All the Missiles Are One Missile Revisited: Dazzle in the Work of Zofia Kulik’, International Journal of Literature and Arts, vol 11 issue 6, 2022, special issue, Slavic and Eastern-European Visuality: ed. Dennis Ioffe, online, np
‘An Ocean Apart. Who is Maggi Hambling ?’ Maggi Hambling, New York, Marlborough Fine Art, np
‘Deleuze, Foucault, Guattari, Periodizações: Gérard Fromanger’,
Deleuze, Foucault, Guattari, Périodizations’, ‘Deleuze, Foucault
Guattari, Periodisations’, Eric Corne, ed., Gérard Fromanger, O Esplendor, Splendeur, Splendour, Lisbon, Museu Coleção Berardo, pp. 86-137, 252-265’
‘Le soleil pour toujours’, Face au soleil, un astre dans les arts, Musée Marmotton-Monet, Vanves, Éditions Hazan, pp. 142-156
‘Le juif errant : Picabia tend un miroir à la France de Vichy’, Francis Picabia, Paris, Galerie Nathalie Seroussi, French edition np.
‘Le juif errant: Picabia holds a mirror to Vichy France’, Paris, Francis Picabia, Galerie Nathalie Seroussi, English edition np.
‘Merz Alive ! Sarah Wilson : Kurt Schwitters in England– My Other Story’, The Kurt Schwitters Society Newsletter. Memorial issue #2, February 2023, pp. 3-7
‘Pyotr Pavlensky: Living Currency’, in Pornopolitics and Other Precedents Pyotr Pavlensky,
with a/political, Jenny Doussan, Boris Groys, Michael La Chance, Victor
Misiano, Daniel Neofetou, Pyotr Pavlensky, Julian Stallabrass. London,
Mother/ a/political, pp. 62-65
‘Illuminations in London Fields’. Hervé Constant – Paintings, Prints, Photographs. London, 2022. pp. 73-89, pp. 162
‘Abstraction-Création, the London / Paris Axis : A Personal Comment’, in Flóra Mészáros ed., Parisian Abstracts, International Hungarians and Abstraction-Création, Debrecen, MODEM, 29 May - 3 October 2021, pp. 104-116
‘Françoise Gilot. Autour du cercle carré du temps’, Françoise Gilot. Les années françaises, Saint-Rémy-de-Provence, Musée Estrine, Milan, Silvana Editorale, pp. 23-43
‘Françoise Gilot. Around the squared circle of time’, Françoise Gilot. The Years in France, Saint-Rémy-de-Provence, Musée Estrine, Milan, Silvana Editorale, pp. 23-43
‘Crowds and Power: Two Polish Artists in London: Marcin Dudek, Ewa
Axelrad’ 52nd AICA Congress, Berlin, ‘Populism and Nationalism’, ed.
Danièle Perrier, pp. 149-156, discussions : pp. 157-162
‘Miriam Bat-Yosef, world citizen and artist’, Mona Hadler, Kalliope Minioudakis, eds., Pop Art and Beyond: Gender Race and Class in the Global Sixties, London, I.B.Tauris, pp. 297-313
‘Nadia Léger, Unique among her contemporaries’, Nadia Léger, unique parmi ses contemporaines, Les Couleurs de Nadia, Musée de l’Annonciade, Saint-Tropez, pp. 15-43 (bilingual)
‘Philosophy as vanitas: Lyotard’s exploded sublime’, Alice Barale,
Alice Chirico, Claudio Rozzoni ed., ‘Is the sublime now?’, Itinera - Rivista di filosofia e di teoria delle arti, no 21, Milano, pp. 50-73
‘Olivier Debré: Imagine’, Olivier Debré, Fervent Abstraction, London, Estorick Foundation, pp. 27-31
‘Scintillating Matter, Seething Life: From ‘Texturology’ to ‘Paris Circus’’, Eleanor Nairne ed., Jean Dubuffet, Brutal Beauty, Barbican Art Gallery with Prestel Verlag, pp. 144-149, pp. 279-281
‘Unica Zürn : Binding Truths, Double Tongues, Searching Eyes’, On Figure/s Drawing after Bellmer, London, The Drawing Room, November 2020, pp. 229-240
‘Haute surveillance, Haute couture’, Franko B. I’m here (editing my time) an offering, London, special print edition of 22 signed and numbered copies, 2020-21
‘Aurélia Jaubert : métamorphose’, (extract) in Aurélia Jaubert, Ici Harold navigue à la mer, privately published for her exhibition at La Manufacture, Roubaix
Catherine M. Sousslof ed., Foucault on the Arts and Letters. Perspectives for the 21st Century. London and New York: Rowman and Littlefield, 2016, H-France, review
‘Sarah Wilson on Francis Picabia’s Transparence, 1932’ Salon, September 2021, in Honey Luard, Elaine Tan eds., White Cube Companion, London, White Cube, 2021, pp. 92-98
‘In this audio commissioned for White Cube Salon, Contemporary and
Modern Art Professor Sarah Wilson of the Courtauld Institute of Art
discusses Picabia’s ‘Transparencies’ and the influence of Romanesque
frescoes’. London, 19 August 2021
> listen to this audio recording...
‘Henri Cueco, l’entente cordiale’, David Cueco ed. Cueco, Paris, Liénart, pp. X-X1
‘Judit Reigl, Obituary, The Guardian, 19 August 2020
>
read this text...
‘Philosophy as a vanitas: Lyotard’s exploded sublime’, Yuk Hui ed., ‘Postmodernism and after: 40 years after the Postmodern Condition’, Journal of the China Academy of Art, no. 6, 2020, pp. 52-65 (in Chinese)
‘Picasso – Giacometti: “‘The Challenge to the Real’, Picasso/Giacometti, Paris, Musée Picasso/Flammarion/Qatar Museums, pp. 52-59
‘Philosophy as vanitas: Lyotard’s exploded sublime’, Yuk Hui ed., ‘Postmoderns and a after: 40 years after the Postmodern Condition’, Hangzhou Art Academy Academic Journal, pp. 52-65
‘The Classical as Living Currency: Pierre Klossowski meets up Pompei’, The Classical Now, London, Kings College with Elephant Publishing, pp. 123-137
‘In praise of irregularity : Adrien Sina’s Torqued Pavilions’. London, np
'Nil Yalter: introduction', Nick Aikens, susan pui san lok and Sophie Orlando eds., Conceptualism: Intersectional Readings, International Framings. Eindhoven, Van Abbemuseum, e-publication, pp. 98-103, discussion, pp. 179-180
>
read this text...
'Mao, militancy and media: Daniel Dezeuze, from scroll to (TV) screen’, Art, Global Maoism and the Chinese Cultural Revolution, eds. Jacopo Galimberti, Noemi de Haro-Garcia and Victoria H. F. Scott, Manchester, Manchester University Press, pp. 165-185
>
read this text...
'Discovering the Psyche, Zofia Kulik' (1999, revised), Zofia Kulik. Methodology, My Love, Agata Jakubowska ed., Warsaw, Zofia Kulik Foundation and Muzeum MSN (Muzeum Sztuki Nowoczesnej) pp. 165-183 >
read this text...
‘Germaine Richier et l’Angleterre: de la géométrie de la peur à Elizabeth Frink’, Germaine Richier, La Magicienne,
(Musée Picasso, Antibes), eds. Jean-Louis Andral, Valérie da Costa,
Paris, Hazan, pp. 71-83; Musée Beelden aan Zee, The Hague, 2020
>
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'Iliazd's Poésie des mots inconnus: many lives, many words’, Pegasus Oost-Europesa Studies, issue 32, 'The many Lives of the Russian Avant-garde', 2019, pp. 323- 343
>
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‘Pyotr Pavlensky, the Firebrand of Russian Political Art’, Russian Art Focus, 4
>
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'Semyon Faibisovich. An Encounter like a Flash’, Semyon Faibisovich, State Tretyakov Gallery, Moscow, Russian pp. 18-22; English, pp. 23-26
>
read this text...
‘Liliane Lijn, Energy coil: divine balance’, Espaivisor Gallery, Valencia, Spain
>
read this text...
‘Postcards
from Venice. Sarah Wilson and Margot Black recall the best of the
Biennale’, p. 40; ‘Honorary Graduates 2017, Sarah Wilson adn Natalia
Fenyoe speak to Boris Groys’, p. 50, Courtauld News, issue no 40
>
read this text...
‘Hervé Constant. Les Illuminations à London Fields’, Rimbaud vivant, 56/2017, 57/2018 (double number), pp. 13-18
‘Illuminations in London Fields’, Hervé Constant, transformative sensibility. Paintings and drawings, London, Nancy, Galerie 379, London, GX Gallery, 2018, np
‘Petr Pavlensky: Images of conviction, bureacratic convulsion’, Andrey
Kovalev ed., Art Riot. Post-Soviet Actionism, London, Saatchi Gallery, pp.
112-124, 245-246, 255
>
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‘Extravagant reinventions, Fahrelnissa Zeid in Paris’, Fahrelnissa Zeid, London, Tate, pp. 89-103
>
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‘Extravagante Neuerfinderungen, Fahrelnissa Zeid in Paris’ Deutsche Bank Kunsthalle, Berlin, pp. 34-47
>
read this text...
‘Paule Vézelay / Hans Arp: The Enchantments of Purity’, Flóra Mészáros
ed., Modern Art and Internationalism, Lives in Motion. Essays in honour
of Krisztina Passuth, Pécs, Kontrazst
>
read this text...
‘In the heat of the Cold War, 1945-1977’, War & Art, Joanna Burke ed. London, Reaktion Books, pp. 128-165, 346-351
>
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‘Débandade à la française, les Malassis et leurs rivaux’, L’esprit
français — contrecultures en France, 1969-1989, Paris, La Maison
Rouge, pp. 48-59
>
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‘Cry havoc! Adel Absessemed’s Bristow’, Hannah Barry, Donatien Grau,
Hans-Ulrich Obrist eds., Adel Abdessemed, Bristow, London, Bold
Tendencies, pp. 113-125
>
read this text...
‘Picasso – Giacometti: “‘The Challenge to the Real’, Picasso / Giacometti, Paris, Musée Picasso / Flammarion, pp. 50-57
‘Hasty, gross and scornful? André Fougeron’s Atlantic Civilisation, 1953’, in Kunst und Politik. Jahrbuch der Guernica-Gesellschaft,
Band 18/2016, special number (Andrew Hemingway ed.,) ‘Hauptwerke
politischer Kunst im 20 Jahrhundert. Icons of 20th-Century Political
Art’, pp. 71-83
>
read this text...
‘A Dying
Colonialism, A Dying Orientalism: Algeria, 1952’, Jérôme Bazin, Pascal
Doubourg Glatiny and Piotr Piotrowski eds., Art beyond Borders in Communist Europe (1945-11989),
Leipzig Studies on the History and Culture of East-Central Europe, vol.
III, Budapest and New York, Central European University Press, Chapter
32, pp. 423-437
>
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‘La jeune peinture nous appèle’, Pierre Basset ed., Les insoumis de l’art moderne, Paris, Musée Mendjinksy - Écoles de Paris, pp. 7-12
>
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‘Bernard Buffet, le peintre sans ombres’, Rétrospective Bernard Buffet, Musée d’art moderne de la Ville de Paris / Paris-Musées, pp. 92-95
>
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‘Picasso - Giacometti: "le réel au défi", Picasso /Giacometti, Paris, Musée Picasso/Flammarion, pp. 54-61
>
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‘New Images of Man. Postwar Humanism and its challenges in the West’,
Okwui Enwezor ed., Postwar. Between the Pacific and the Atlantic,
Munich, Haus der Kunst /Prestel (English and German versions), pp.
344-349
>
read this text...
‘Writing the
disaster: Trauma and reconstruction in postwar France’, in
Eckhart.Gillen , Peter Weibel eds., Facing the Future, Art in Europe,
1945-1968, BozarBooks (Brussels), ZKM, Centre for Art and Media
Karlsruhe (Tielt) Lanoo Publishers, Tielt, pp. 88-101
>
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‘The
Triumph of Forces: Fernand Léger and the Popular Front’, Fernand Léger.
Painting in Space, Cologne Ludwig Museum, Munich, Hirmer
editions, pp. 158-163
>
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‘Genius
loci‘ czy europejski humanista? ‘Władysław Hasior: genius loci or
European Humanist?’), Władysław Hasior, Zakopane, Tatra Muzeum, pp.
189-207
>
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‘Kovásznai today’ preface, Brigitta Iványi-Bitter, Kovásznai, a Cold War Artist. Animation. Painting. Freedom, Budapest, Kovásznai Research Center Foundation 2016, pp. 12-13
>
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‘Alberto Giacometti Yves Klein, In search of the Absolute’. Discussion including Sir Antony Gormley and Sarah Wilson. Gagosian, April 27 - June 17, 2016
>
read this text...
‘Kiki Kogelnyk, Modern Art Oxford UK’, Artforum, January 2016, p. 238 (review)
>
read this text...
‘Bain Brisé de Yann
Marussich: La première fois pour toujours’ / ‘The first time and for
all times’, Yann Marrussich, Experience of Immobility, Geneva,
Compagnie Yann Marussich, pp. 51-56
>
read this text...
‘Times of
Transmission: cultures and constellations : Inferno and Paradise in
East and West’, ‘Saleem Arif Quadri’, ‘curators biography’, Luo Yiping,
ed., 1st Asia Biennal / 5th Guangzhou Triennal, Guangdong Museum of
Art, Guangzhou, China pp. 60-67, 150-153, 242-3 (Chinese and
English)
>
read this text...
‘Obituaries: Brian
Sewell, O terpora, O mores!’, Courtauld News, issue no 38, Autumn /
Winter 2015, p. 46
>
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Amrita Sher-Gil & Boris Taslitzky.
Passions, Portraits, Fictions. London, Sotheby’s publications
>
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‘Children of Marx and Coca-Cola: Pop in a Divided World’. The EY Exhibition: The World Goes Pop,
Flavia Frigeri and Jessica Morgan eds., Tate
>
read this text...
‘Children of Marx and
Coca-Cola’. The Guardian,
Saturday 5 September 2015
>
read this text...
‘Dark side of the moon:
L’anti-broderie de Hessie’ in Émilie Bouvard et al., Hessie: Survival Art, 1969-2015,
Paris, Galerie Arnaud Lefebvre
>
read this text...
Sarah Wilson (‘The most
intense experience with art’) in Hannah Berry, Donatien Grau eds.,
Merry Art, Hannah Barry Gallery, p. 145
>
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‘Tirs, Tears,
Richochets’, Camille Morineau ed., Niki
de Saint Phalle 1930-2002, Centre Georges Pompidou / Réunion des
Musées Nationaux, (Grand Palais), pp. 92-101, 359-360
>
read this text...
‘John Dugger, Peoples’,
Participation Pavilion, Documenta 5, Kassel, 1972’, SEARCH: Asia, the Opening Academic
Conference of the 1st Asia Biennial, GDMoA, Guangzhou, Guangdong
Museum of Art, pp. 164-189
>
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‘A Dying Colonialism, a
Dying Orientalism: ‘‘Algeria 1952’’’. Politics
and the Individual in France 1930–1950. Jessica Wardhaugh, ed., Leeds,
Legenda
>
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‘Post-colonial Rococo: Yinka
Shonibare MBE plays Fragonard’ in Melissa
Hyde, Katie Scott eds. Rococo Echo: Art, Theory and Historiography,
Studies on Voltaire and the Eighteenth Century, Oxford, Voltaire
Foundation
>
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‘“Des meilleurs ennemis au
Jardin d’amour” : Art et artistes à Paris et
à Londres’ in Diana Cooper-Richet & Michel Rapoport ed., Nos
meilleurs ennemis : L’entente culturelle franco-britannique revisitée,
Neuilly, Atlande, pp. 81-99
>
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‘Comintern spin doctor’,
Willi Münzenberg, STORIOGRAFIA - rivista annuale di storia, no 18,
Rome, 2014, pp. 109-115
>
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‘Klossowski our Contemporary’, foreword to Hervé Castanet, ‘Pierre
Klossowski. The Pantomime of Spirits’, (with an interviw with Pierre
Klossowski by Judith Miller), in J.B. Bullen ed., Cultural
Interactions. Studies in the Relationship between the Arts, vol. 22,
pp. ix-xxv
>
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‘Klossowski, our contemporary’, preface to Hervé Castanet, Pierre
Klossowski, the Pantomime of Spirits’, Oxford, Peter Lang. In
Portuguese, Lisbon Belem Centre
‘Judit Reigl, of signs, of
Men and of Angels’, Julia Fabéni ed., Judit
Reigl, Emptiness and Ecstasy, Budapest, Ludwig Museum, (Hungarian and
English), pp. 68-93
>
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‘A very great sculptor:
Germaine Richier’, Germaine Richier, New York, Dominique Lévy – Galerie
Perrotin
>
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‘“Délit de témoignage”: André
Fougeron à travers un siècle’ in Bruno
Gaudichon ed., André Fougeron. 1913-1998. Voilà qui fait problème vrai,
Roubaix, La Piscine / Gourcoff Gradenigo, pp. 25-59
>
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‘Heureux hasards conceptuels :
Jacques Monory en Angleterre’ in
Michel-Édouard Leclerc & Pascale Le Thorel ed., Jacques Monory,
Landerneau, Fonds Hélène & Édouard Leclerc pour la Culture,
pp. 106-110
>
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Pourquoi y a-t-il
l’art plutôt que rien?, Raphaël Cuir ed., Paris, Archibooks, pp. 344-5
>
read this text...
‘Pêcher dans la rivière : the
immanence of poetics’, Sheila Hicks, London, Alison Jacques Gallery
>
read this text...
‘Bergson before Deleuze: how to read informel painting, Charlotte de
Mille and John Mullarky eds., Bergson and the Art of Immanence:
Painting, Photography, Film, Edinburgh, Edinburgh University Press,
2013
>
read this text...
‘Loyalty and Blood.
Picasso’s FBI File’ in Jonathan Harris and Richard
Koeck eds., Picasso and the Politics of Visual Representation :War and
Peace in the era of Cold War and since, Liverpool University Press,
Tate Liverpool Critical Forum, pp. 110-124
>
read this text...
‘Lyotard, Monory: Postmodern
Romantics’, (in Herman Parret ed
Jean-François Lyotard, Writing on Contemporary Art and Artists vol VI,
L’assassinat de l’expérience par la peinture – Monory / The
Assassination of Experience by Painting – Monory, Leuven, University of
Leuven Press (updated version, bilingual), pp. 196-253
>
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‘Contemporary
Art and Long Histories. Malraux, Kojève, Braudel: Shifting the Quadrant
to Asia’, Asian Art Curators Forum Manual, Guangzhou,
Guangdong Museum of Art, pp. 83-89
>
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‘Contemporary
Art and Long Histories. Malraux, Kojève, Braudel: Shifting the Quadrant
to Asia’, Collected Papers of Asian Art Curators Forum, Guangzhou,
Guangdong Museum of Art, pp. 83-89
>
read this text...
‘Contemporary Art and Long Histories. Malraux, Kojève, Braudel:
Shifting the Quadrant to Asia’, Asian Sensibilities and the Asian
Experience: Collected Papers of Asian Art Curators’ Forum, Guangzhou,
Guangdong Museum of Art, pp. 109-113. ‘Round table discussion’,
pp. 382-389
>
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‘Art, Artefact and Empire
Thirty Glorious years in France’, Oxford Art Journal, volume 36, issue
2, 2013, pp. 310-312
>
read this text...
‘The Expanded
Seam; the Song of the Shirt’, Pip Culbert, Donc, Galerie Kamila Regent,
Saignon-en-Luberon
>
read this text...
‘Essay: Sarah Wilson,
Kurt Schwitters in England’, Tate, 2013
>
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‘Comintern spin doctor’ Willi
Münzenberg, artiste en révolution, 1889-1940,
2008, English Historical Review, vol.
CXXVII, 526, June 2012, pp.
662-668 >
read this text...
‘French socialist realism, 1945-1970’, in Matthew
Bown, Matteo Lafranconi (eds.) Socialist Realisms. Soviet
Painting 1920-1970, Milan, Skira, 2012,
pp. 247-253 >
read this text...
‘French
socialist realism, 1945-1970’, in Matthew
Bown, Matteo Lafranconi (eds.) Socialist
Realisms. Soviet Painting 1920-1970, Milan, Skira, 2012,
pp. 247-253 >
read this text...
‘Gabriel
Dubois Signs and Times’, Unikat VI
(Gabriel
Dubois), Hamburg, René S. Spielburger Stiftung. (French and
German versions) >
read this text...
‘Henry-Claude
Cousseau: le style c’est
l’homme’, in Emmanuel Saulnier and
Isabelle d’Hauteville eds., Mêlanges en
hommage à Henry-Claude Cousseau, Paris,
Éditions du Regard, np >
read this text...
‘Silver Scales, Silver Ink, Quicksilver Traces:
Lucia Joyce’; ‘Tilly Losch, reaching for
intersubjective
frontiers’ (with Adrien Sina) in Sina ed., Feminine
Futures Performance Dance War Poltiics and Eroticism, Dijon,
Presses du Réel, pp. 406-415, 416-418 >
read this text...
‘Moscow
Romantic exceptionalism : the suspension of
disbelief’, Boris Groys ed., Moscow Symposium,
Conceptualism revisited, e-flux journal,
New York, Sternberg Press, pp. 102-123.
>
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‘Moscow Romantic exceptionalism : the suspension of
disbelief’, Boris Groys ed., Moscow
Symposium, Conceptualism
revisited , e-flux journal, New York, Sternberg
Press, pp.102-123 >
read this text...
‘Moscow Romantic exceptionalism: the suspension of disbelief’, Boris Groys ed., Moscow Symposium, Conceptualism revisited, e-flux journal, online edition, pp.50-58
‘Il realismo socialista francese, 1945-1970’, Realismi
socialisti, Grande pittura sovietica 1920-1970, Rome, Palazzo
della Espozione, (Milan, Skira), pp. 247-253 >
read this text...
‘Ruth Francken. Photography rooted, uprooted’,
Chantal Pontbriand ed., Mutations – Perspectives on
Photography,
Paris Photo / Steidl, pp. 350-3 >
read this text...
‘Ruth Francken. Photographie
enracinée, déracineée’,
Chantal Pontbriand ed., Mutations – Perspectives
sur la Photographie,
Paris Photo / Steidl, pp. 350-3 >
read this text...
‘Alina Szapocznikow in Paris: worlds in action and in
retrospect’ in Agata Jakubowska ed., A Alina
Szapocznikow Awkward Objects, Museum of
Modern Art, Warsaw, pp. 211-228 >
read this text...
‘Enluminures:
representations de William
Blake’, [Illuminations: Imagining William Blake’], La
Revue de la BNU (Bibliothèque nationale et
universitaire de Strasbourg), Autumn 2011, no 4,
Esotérisme et
Littérature, p 31-41 >
read this text...
‘SW unleashed’, interview with Fiontan Bleau Moran, Death
Becomes Her, 11, Surrealist Women,
August 2011, np >
read this text...
‘Acrostic
for Chaissac’, Gaston Chaissac,
London, Connaught Brown 20 Oct -19 Nov np >
read this text...
‘One of a thousand ways to defeat entropy?’, One
of a thousand ways to defeat entropy,
(Arsenale Novissimo, Venice Biennale), London, AVC Charity Foundation,
pp. 46-49 >
read this text...
‘Lucio
Fanti, le projet du futur’, Lucio
Fanti, Peinture et Théâtre
Paris, Thalia, pp. 48-68 >
read this text...
‘Kantor’s
art from informel to
installation’ Kantor was here ed.
Katarzyna Murawska- Muthesius, London, Black Dog Publishing, pp.
129-139.
>
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‘Raymond Mason, a last Romantic?’ Sculpture
Journal, vol 19. 2, 2011, pp. 248-254 >
read this text...
Natalie
Adamson, Painting, Politics and the struggle for the
Ecole de Paris, 1944-1964, Farnham, Ashgate, 2009, (review). French
Studies vol. LXV, 4, October 2011, pp. 557-8
>
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Jill
Carrick, Nouveau Réalisme, 1960s France and the
Neo-avant-garde. Topographies of Chance and Return, Aldershot
and Birmingham, Ashgate Publishing 2010 (review), H-France
Review,
vol. 11, 220 (October, 2011), pp. 1-4. Facilitated and
contributed to E Buthakova text for Prigov retrospective Venice
Biennale (Hermitage) 2011
>
read this text...
‘Circumspice!
Look around you!’, Alexander Ponomarev, Sea
Stories, London, Calvert 22, pp, 34-37 >
read this text...
‘Orlan: archipelago’ Orlan. A
Hybrid body of Artworks, Simon Donger and Orlan eds.
Routledge, pp. 119-123
>
read this text...
‘Entretien
avec Sarah Wilson’, Josette Rasle ed., Aragon
et l’art moderne,
Paris, Musée de la Poste / Éditions Beaux-Arts de
Paris,
pp. 23-29 >
read this text...
‘Nadia
Khodossievitch-Léger, la griffe du
siècle’ La Patriote, Cote
d’Azur, hors-serie, 1960-2010, Musée
National Fernand Léger, 2010, pp. 17- 20 >
read this text...
‘Nadia
Léger, la griffe du
siècle’ Hommage aux
donateurs,
Musée Fernand Léger, Biot
>
read this text...
‘De Cadenet The Skull Portraits’, Alexander
de Cadenet, Life-Force, London, Alexia Goethe Gallery, np
>
read this text...
Matisse,
Ediciones Poligrafa, Barcelona and associates, (English, American,
French, German, Dutch, Japanese and Chinese editions) pp. 128.
>
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‘Voids,
palimpsests, kitsch: Paris before
Klein’, Voids, Paris, Éditions
du Centre Georges Pompidou, pp. 192-198 (English and French
Éditions; Berne Kunsthalle, Voids, einer
retrospektive)
>
read this text...
‘Vides,
palimpsests, kitsch: Paris avant
Klein’, Vides, Paris,
Éditions du Centre Georges Pompidou, pp. 192-198 (English
and French Éditions; Berne Kunsthalle, Voids,
einer retrospektive)
>
read this text...
Giacometti
in Fez’, Giacometti The Anxious Body, ed.
Peter Read, Ashgate Press, pp. 209-226 >
read this text...
‘Artaud,
homo sacer’, Antonin Artaud, La
Casa Encendida, Madrid, pp. 23-39 >
read this text...
‘Francis
Gruber: espace politique, espace
eschatologique’, Francis Gruber, l’oeil
à vif, Musée des Beaux-Arts, Nancy,
pp. 65-76 >
read this text...
‘Ponomarev: Sea Change’ Alexander
Ponomarev: Subtiziano, Venice Biennale, 2009, (English and
Russian) >
read this text...
‘Action
Féminine: Valentine de Saint
Point’ (with Adrien Sina), Tate Etc,
Issue 16, Summer, pp. 44-46 >
read this text...
‘Fromanger,
Deleuze, Bacon : o pintor o modelo’, Gérard
Fromanger. A Imaginação no Poder, Centro
Cultural Banco do Brasil, Brasilia, pp. 20-27 >
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‘How
to make Europe dream? Le nouveau Londres
européen et l’histoire de
l’art’. Conference
‘Les Lettres les arts et les sciences dans l’Europe
aujourd’hui, (Sinaïa, 2008), Penser
l’Europe VIII, Bucarest, Fondation National pour
la Science et l’Art
>
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Pourquoi
y a-t-il l’art plutôt que rien?
Raphaël Cuir ed., Paris, Archibooks+Sautereau pp. 162-3
>
read this text...
‘From
Monuments to Fast Cars: aspects of Cold War art,
1946-57’Cold War Modern,
London, Victoria and Albert Museum, 2008. pp. 26-32 (show toured to
MART, Rovereto, and National Gallery of Art, Vilnius, 2009)
>
read this text...
‘L’Homme
douleureux’, Traces du
Sacré, MNAM,
Centre Georges Pompidou, p. 280 (show toured to Haus der Kunst, Munich,
2008-9) >
read this text...
‘La
bataille des “humbles”?
Communistes et Catholiques autour de l’art
sacré’,
Mélanges Bruno Foucart, Paris, Éditions
Norma, pp. 3-21
>
read this text...
‘The Sacred, the Profane and the Secret in the work of Niki
de Saint Phalle’, Niki de Saint Phalle,
Tate Liverpool, 2008, pp. 11-26 >
read this text...
‘Looking
towards History and the Future. Narrative Figuration
at the Grand Palais’, Above magazine,
fall, pp. 40-51 >
read this text...
'Overheard in the Cafe...', Fiontán Moran ed., Andy Warhol's Interview, London, Courtauld Institute of Art, np >
read this text...
Exhibition review: ‘Figuration Narrative’, (Grand Palais), The
Burlington Magazine, no 1 1265, vol CL, August, 2008
Interview:
‘It’s about time’ [Alina
Szapocznikow], pp. 13-16 with Rafaela Pearse Wheatley, On
Time. The East Wing Collection VIII, London, Courtauld
Institute, 2008 >
read this text...
‘Politique
et vanitas: Lucien Fleury et les
Malassis’, Lucien Fleury 1928-2005, Musée
des Beaux-Arts, Dole, pp. 10-43 >
read this text...
‘The Song of
Ruth’, Ruth Francken, Paris,
Hôtel Drouot, Olivier Doutrebente, 20-21 September, 2007 >
read this text...
‘Le renouveau et les enjeux
politiques de l’art sacré
après-guerre’, Ronchamp,
l’exigence d’une rencontre, Le Corbusier et la
chapelle Notre-Dame du Haut, colloque, Lyon, Fage
éditions, pp. 85-93
‘Épiphanies et secrets’ Pierre
Klossowski, Tableaux vivants, Paris,
Éditions Gallimard / Centre Pompidou, pp. 27-42
> read this text...
‘Beaubourg,
la passion, la transmission’ Beaubourg,
la Trentaine, Paris, Éditions du Centre Georges
Pompidou, pp. 566-568 >
read this text...
‘Wild,
wild, wild’Oleg Kulik. Nihil
inhumanum a me alienum puto, Bielfield, Kerber, pp. 353
> read this text...
‘Wrona-en-Luberon’
(Polish
sculptor) Andrzej Wrona, Cyrk figures de cirque et
autres…., Galerie Kamila Regent, Saignon np
>
read this text...
‘Pierre
Klossowski, epiphanies and secrets’, Pierre
Klossowski,
ed. Sarah Wilson, Whitechapel Art Gallery and Hatje Cantz, pp.
13-29 >
read this text...
‘Germaine Richier, disquieting matriarch’ Sculpture
Journal, December, pp. 51-70 >
read this text...
‘Narrative Figuration: théorie, politique,
passions’ La Nouvelle figuration dans les
collections publiques, (1964-1977) Paris,
Éditions Somogy, pp. 33-39 >
read this text...
‘La
mémoire
longue, la mémoire courte,’ Boris
Taslitzky, l’arme du dessin’ Paris,
Musée d’Art et d’Histoire du Judaisme,
pp. 44-47
‘Fantasmagorii
Fanti’, Sobranie 3, pp. 22-25 (Moscow),
special number on‘The Megapolis and its visual image in past
and present’ >
read this text...
‘Liliane Lijn: body,
line,
fire’, Liliane Lijn, Austin Desmond Fine
Art, np >
read this text...
‘Poststructuralism’,
Companion to
Contemporary Art since 1945, ed. Amelia Jones, Oxford, 2005
Blackwell Companions to Art History, pp. 424-449 >
read this text...
‘Rites
of Passage: Myriam Bat-Yosef and
Performance’, Myriam Bat-Yosef, Paintings Objects,
Performances,
ed. Fabrice Pascaud, Paris, Éditions Somogy (bilingual), pp.
92-107 >
read this text...
Review of Les écrits d’artistes depuis 1940, Archives de la Critique d’Art, 11, p. 23
Adrien Sina, Archaeology of Desire,
T1+2 artspace
>
read this text...
‘Zofia
Kulik, from Warsaw to Cyberia’, Zofia
Kulik: From Siberia to
Cyberia, pp. 88-108 >
read this text...
‘A
German artist in Coventry: Jochen Gerz, The Future Monument,
The Public Bench’ Vivian Lovell ed., ‘The
Phoenix Project’ London, Black Dog Publishing, pp.
84-99 > read this text...
‘Artiste,
Muse et
l’égerie Russe? L’Histoire extraordinare
de Nadia Khodassievitch Léger, Fernard
Léger’, Musée des Beaux-Arts,
Lyons, pp. 89-98 >
read this text...
‘Ruths Gesang’ / ‘The Song of
Ruth’, Ruth Francken, Sprengel Museum,
Hannover (bilingual), np >
read this text...
‘Axell:
One+One’ Evelyne
Axell, from Pop Art to Paradise, Paris, Éditions
Somogy, (bilingual) pp. 23-40 >
read this text...
‘Les
Amazones en proverbe’ Erró,
Galerie Louis Carré, Paris (bilingual) pp. 5-11
>
read this text...
Joan
Miró: La Naissance du monde au Centre
Georges Pompidou, Les Lettres Françaises, nouvelle
série, 1, 19 March, 2004
>
read this text...
‘High
Society’, Material, curated
by Nick Aikens and Alexander Hoda, Next New Artists, London
>
read this text...
‘Deep
in the Heart of
Paris’ (Raymond Mason), Times Literary Supplement, April, Next
New Art, preface, (Courtauld ex-student
initiative for Frieze)
Editor’s
preface, Pierre Klossowski, Decadence of
the Nude, Maurice Blanchot, Laughter of the Gods, ed.
Sarah Wilson, Revisions, Black Dog Publishing, London, pp. 15-31
>
read this text...
‘Cocktail
Rancillac /Rancillac Cocktail’, Bernard Rancillac, Paris,
Éditions Somogy pp. 8-49
>
read this text...
‘The Visual Arts’, The Cambridge
Companion to Modern French Culture,
ed. Nicholas Hewitt, Cambridge, Cambridge University Press, pp.
290-318 >
read this text...
‘Inzest, Travestismus, Maskerade. Zu den Performances und
Installationen von Michel Journiac’, Mannlichkeit
als Maskerade. Gender Studien mit blick auf‘den’
Mann, ed. Claudia Benthien, Berlin, pp. 128-153
> read this text...
‘Axell.
Erotomobiles’, Axell, Mayor Gallery,
London
‘Wild,
wild, wild’, Oleg Kulik, Memento Mori, White Space
Gallery, London, np >
read this text...
‘Introduction’,
‘Saint-Germain-des-Prés: from Occupation to
Reconstruction’, ‘Towards the Latin Quarter: France in the 1960s, Paris,
Capital of the Arts, 1900-1968,
ed. Sarah Wilson, London, Royal Academy of Arts, pp. 12-25, 236-249,
243-245, 330-343; Guggenheim, Bilbao, Spanish hardback edition;
Libraire Hachette French hardback edition, DuMont Verlag, German
hardback edition (principal author and editor) >
read this text...
‘Zofia
Kulik, from Warsaw to Cyberia’, Centropa,
vol. 1, 3, Sept, pp. 233-244 >
read this text...
Libero Nardone, Assia, and Dina Vierny for the Dictionary
of
Artists’ Models, London, Fitzroy Dearborn, 1997,
pp. 391-394, 548-552 >
read this text...
‘Haute
surveillance, Haute couture’, Franko
B. Oh Lover boy, London, Black Dog Publishing
>
read this text...
‘Matisse’, Historia Universal de la Pintura vol. 10, Madrid, Plagwerg Editores
‘Modernist
art. Tam-Tam in the Urban Jungle: avant-garde. The Parisian avant-garde
view of Blacks in the 1920s and 30s’. Joséphine Baker (Negrophilia). The Art Newspaper, April 2001
>
read this text...
‘Monsieur
Venus: Michel Journiac and Love’: Art
and Sexuality: The Manifestations of Venus, ed. Katie Scott
and Caroline Arscott, Oxford University Press >
read this text...
‘Tortures’;
‘Pain and Performance,
Spectacle and Soul’, La Mazarine, in
Adrien Sina ed. ‘Tragédies charnelles’
spring, 2000,
pp. 26-096 – 29-099 >
read this text...
Raphael
Cuir ed., La vie, mode d’[in]emploi,
canalwebnet ‘memoires actives’, Publication
commemorating
interview, Éditions Jean-Michel Place/Trasnfuge np.
>
read this text...
‘Entre
Matisse et Duchamp, le fémininmasculin de l’art
des années 70’, Supports/Surfaces,
Collection colloques et conférences, Paris, Galeries
National du
Jeu de Paume >
read this text...
‘Erró, l’extase
matérielle’, Erró, images du
siècle, Paris, Galeries Nationales du Jeu de
Paume, pp. 38-56 >
read this text...
Preface, Gilles Deleuze, Michel Foucault, Gérard
Fromanger, ed, Sarah Wilson, London, Black Dog Publishing
Ltd. pp. 38-56 >
read this text...
> read review... by Brian Rajski, The Voice Imitator
‘Discovering
the psyche: Zofia Kulik’, n.
paradoxa, vol 4, London, 1999, pp. 55-64
>
read this text...
‘Discovering
the Psyche: Zofia Kulik’, Zofia
Kulik, Poznan, Poznan Museum of Art, pp. 53-73
>
read this text...
‘Duncan
Phillips and Robert Sainsbury: the School of Paris in
America and England’, L’École
de Paris? 1945-1964, B. Ceysson ed., Luxembourg,
Musée Nationale d’Histoire et de l’Art,
pp. 39-55, 323-332 >
read this text...
‘Du
pâle criminel : X-crime’, Monory/Ex-Crime, Angers, Musée
d’Angers, pp. 6-9,
28-9 >
read this text...
‘Kurt
Schwitters in
England’, Baltic, no 4, Gateshead, np
‘“Another World within this World”. Reem Nazir’, Centro Cultural Recoleta, Buenos Aires np
Editor’s
introduction & ‘Postmodern romantics /
Romantiques postmodernes’, in Jean-François Lyotard The
Assassination of Experience by Painting – Monory,
ed. Sarah Wilson, London, Black Dog Publishing, pp. 12-17, 21-81
> read this text...
‘Germaine Richier und der eschatologische Raum’,
Raum und Körper in den Künsten der Nachrkriegszeit, Berlin,
Akademie der Künste / Verlag der Kunst, pp. 106-120
> read this text...
‘Orlan-Chimère:
la belle dame sans
merci’, Arts de chair,
ed. Daniel van der Gucht, Brussels, La Lettre Volée, pp.
99-105 >
read this text...
‘Maskarady-kobiecosci’, Atrium
questiones, IX,
Poznan, Universytet im
Adama Mickiewicza w Poznaniu, Instytut Historii Sztuki, pp. 157-184
>
read this text...
Review of Fascist Visions: Art and Ideology in France and Italy, The Art Newspaper
‘André
Fougeron’, The Independent,
18 September, 1998, p. 6 >
read this text...
‘Femininités-Mascarades’,
ORLAN. De l’Art charnel au baiser de
l’artiste, Paris, Jean-Michel Place, p. 6 >
read this text...
‘Edouard
Pignon. La peinture au défi’, Edouard
Pignon, Palais des Beaux-Arts, Lille., pp. 7-29
>
read this text...
Jennifer
Pery: Caziel,
Whitford Fine Art, 1997 (foreword to substantial monograph), pp.
17-29 > read this text...
‘Women Artists, professionalism and
modernism after 1930’, ‘Nadia
Léger’,
‘Marlow Moss’, ‘Paule
Vézelay’, Marie-Anne
Lansiaux, ‘Germaine Richier’, Dictionary
of Women Artists, London, Fitzroy Dearborn
>
read this text...
‘Daughters
of Albion: Greer, Sex and the Sixties’,
Les Sixties: Great Britain-France, 1962-73, The Utopian Years,
London, Philip Wilson, pp. 75-85. Polish version, Gdansk, Magazyn
Sztuki
> read this text...
‘Rembrandt,
Genet, Derrida’, Gdansk, Magazyn
Sztuki
> read this text...
‘Feminities/
Mascarades, ’Rrose is a
Rrose is a Rrose: Gender Performance in Photography, New
York, Solomon R, Guggenheim Museum, pp. 135-155.
>
read this text...
Macmillan’s Dictionary of Art, entries on Germaine Richier, Edouard Pignon, Victor Brauner, Jean Hélion etc
‘Maiakovski’,
‘Nadia, ’ L’ABCdaire
de Léger, Paris, Flammarion >
read this text...
‘Taking
Stock: Still too many Stars and Stripes’
(review, Tom Crow: The rise of the Sixties, Modern Art and the
Common culture), The Art Newspaper, 66,
January >
read this text...
‘Filles
d’Albion: Germaine Greer, la Sexualité et les Sixties’ Les Sixties en France
et l’Angleterre,
Paris, Musée d’histoire contemporaine, 1996, pp.
74-85 >
read this text...
‘Réalismes
sous le drapeau rouge’ Face
à l’histoire, Paris, Centre Georges
Pompidou, 1996, pp. 244-251 >
read this text...
‘Rembrandt,
Genet, Derrida’, Critical
Introductions to Art: Portraiture, Manchester University
Press, ed. Joanna Woodall, 1996, pp. 203-216 >
read this text...
‘A
crucible of change: Paris and beyond, 1944-1960’, The
Berardo Collection, Sintra Museum of Modern Art, Sintra,
Portugal (English and Portuguese Éditions), pp. 21-34
>
read this text...
‘L’Histoire
d’O,
Sacred and Profane’, Orlan, London,
Black Dog Publishing, 1996, pp. 8-17 >
read this text...
‘Femininités-Mascarades’,
Féminin-Masculin, Centre Georges
Pompidou, Paris, pp.
291-302
>
read this text...
‘Kunstenaars
en het Franse Volksfront’ Een Kunstolympiade in
Amsterdam. Reconstructie van de tentoonstelling D. O. O. D., 1936,
Gemeentearchif, Amsterdam, pp. 33-38 / Die Olympiade unter
der Diktatur, Stadtmuseum Berlin >
read this text...
‘Kunstenaars
en het Franse Volksfront’ Een
Kunstolympiade in Amsterdam. Reconstructie van de tentoonstelling D. O.
O. D., 1936, Gemeentearchif, Amsterdam, pp. 33-38 / Die
Olympiade unter der Diktatur, Stadtmuseum Berlin
>
read this text...
‘L’Institut Courtauld, Les Galeries
Courtauld’, Musées et Recherche, Actes
du colloque, (1993), Dijon, ICO, 1996, pp. 33-39 >
read this text...
Reviews: Art Monthly, (London), Critique d’Art (Rennes)
‘Hanging Picnic: Joshua
Compston 1970-1996. The origins and
developpment of the East Wing Collection’. Courtauld Institute of Art
newsletter, p. 5 >
read this text...
‘Kurt
Schwitters en Inglaterra el
“Anglismo” o la dialéctica del
exilio’, Kurt Schwitters, IVAM Centre
Julio González, Valencia, pp. 318-335 >
read this text...
‘Max Ernst’, Actualité des Arts Plastiques, Centre de Documentation Pédagogique, Paris, pp. 7-53
‘Fêting
the Wound’ Georges Bataille and
Jean Fautrier in the 1940s’, Writing the Sacred:
Georges Bataille, ed. Carolyn Gill, London, Routledge, pp.
172-192 >
read this text...
Paule
Vézelay /
Hans Arp. The Enchantments of Purity, The Centre for the
Study of Sculpture, Henry Moore Institute, Leeds >
read this text...
‘In the Community’(Raymond Mason) Times Literary Supplement, no 4801, April 7th, 1995
‘Kurt
Schwitters en Angleterre’, Kurt
Schwitters, retrospective, Centre Georges Pompidou, Paris,
pp. 296-309 >
read this text...
‘The Picasso Files’ Tate Magazine, 2,
London, pp. 28-32 >
read this text...
‘Saleem Arif; seeds of celebration, moments of
grace’. Art of the Islamic World,
24, January, 1994, pp.25-28 >
read this text...
‘Dereliction and Conversion
in Moscow’ Art Monthly, 172,
December-January 1994, pp. 11-13
‘Paris
Post War. In Search of the Absolute’,
Paris Post War. Art and Existentialism, 1945-1955, Tate
Gallery, London, pp. 25-52 >
read this text...
‘From Barthes to Baudrillard: Art History, criticism and
the‘philosophes’ in France, Art Criticism
since 1890 – Authors, Texts, Contexts, ed. Malcom
Gee, Manchester University Press, pp. 219-236 >
read this text...
‘The
Soviet Pavilion at the Paris World Fair’, Art
of the Soviets, ed. B. Taylor and M. Cullerne- Bown,
Manchester University Press >
read this text...
‘Arman’, Print Quarterly, X, 1993, vol 1, pp. 84-86
‘Le
songe du paradis d’Orient’, Matisse,
1904-1914, ed. Beaux-Arts magazine,
Paris, pp. 84-86 >
read this text...
Matisse, Ediciones Polígrafa, Barcelona with Benjamin & Partners, Groningen, (Dutch editions, 1992-1993) pp. 128 >
read this text...
Four
Artists from France,
preface, Institut Français, London
Pierre
Buraglio, preface, Institut Français, London
>
read this text...
‘Avec
Boudin, à Pierre Buraglio’ Pierre
Buraglio, Galerie Jean Fournier, Paris, pp. 10-12
>
read this text...
‘Alfred
Manessier’ (obituary) The
Independent, 11 August, 1993, p. 20 >
read this text...
Matisse,
Ediciones Poligrafa, Barcelona and
associates, (English, American, French, German,
Dutch, Japanese and
Chinese Éditions) pp. 128 >
read this text...
‘From the Asylum to the Museum. Marginal Art in Paris and New
York, 1938-1968’, Parallel Visions, Modern artists
and Outsider Art,
Los Angeles County Museum of Art, 1992 (Spanish, Swiss and Japanese
Éditions), pp. 120-149 >
read this text...
‘Max Ernst au pays de
merveilles’, Max Ernst, Centre Georges
Pompidou, Paris., pp. 363-369 >
read this text...
Gabriel Fournier, 1893–1963. Twickenham, Orleans House Gallery, 23 May – 14 June 1992 >
read this text...
‘Martyrs
and Militants’, War and Society
in Twentieth Century France, ed. M. Scriven, New York,
Oxford, Munich, Berg Publications >
read this text...
‘Deux
affiches d’André Fougeron. Le
point de vue de l’historien d’art’, Matériaux
pour l’Histoire de notre temps, special
number: ‘L’avenir de la propagande
politique’,
Bibliothèque de Documentation Internationale Contemporaine,
Paris, April >
read this text...
‘Max
Ernst and England’, Max Ernst, Tate
Gallery, London, and German edition >
read this text...
‘Die
Begegnung mit Albion und Alice: Max Ernst und
England’, Max Ernst, Staatsgalerie,
Stuttgart, Prestel >
read this text...
‘Jean
Fautrier, ses écrivains et ses
poètes’, Ecrire la peinture, ed.
Ph. Delaveau, Paris, Éditions Universitaires, pp. 241-249
>
read this text...
'Art Historians in London: the ''Frameworks'', Conference 1991', AICARC, Bulletin of the Archives and Documentation Centers for Modern and Contemporary Art (AICA), 1&2, 1991, pp. 33-35
>
read this text...
Gabriel Fournier (preface), Orleans House Gallery, Twickenham, London
‘Cosmopolitan
patternings. The Paintings
of William Gear’, William Gear. 75th Birthdaye
exhibition. Cobra and After, London, Redfern Gallery, pp.
5-12 > read this text...
Picabia.
Accommodations of Desire, New York, Kent Fine Art, pp. 5-23
>
read this text...
‘Charles
Lapicque: un destin
révolutionnaire’, Charles Lapicque,
Peintures de 1940 à 1973, Paris, Galerie Louis
Carré, pp. 5-19 >
read this text...
‘Hans
Richter: Dreams that Money can Buy’, Peinture-Cinéma-Peinture, Paris,
Musées de Marseille/Flammarion, pp.
217-231 >
read this text...
Paris
1945-1975 – The Sainsbury Family Collection
(Introduction), Sainsbury Centre for Visual Arts, University of East
Anglia, Norwich np >
read this text...
‘Raymond
Mason – an Exalting Life’, Raymond
Mason, Sculptures and Drawings, Birmingham City Art Gallery
/ Lund Humphries, pp. 16-32 >
read this text...
‘Between
Lives’, Dorothea
Tanning. Between Lives. Works on Paper, London, Runkel-Hue
Williams, pp. 3-17 >
read this text...
Paule Vézelay and
André Masson. Paintings and Works on Paper, 1928-1934, London,
England and Co., (introduction), pp. 3-6 >
read this text...
‘One hundred years ago: The
‘Incohérents’ (avec Catherine Charpin), Art
Monthly, no 128, July-August, pp. 7-9 >
read this text...
‘Fernand
Léger, Kunst und Politik,
1935-1955’, Fernand Léger, Zeichnungen,
Bilder, Zyklen, Staatsgalerie Stuttgart, pp. 53-73. (Prestel
Verlag for German
edition) >
read this text...
‘Collaboration in the Fine
Arts’, 1940-1944’, Collaboration in France
– Politics and Culture during the Nazi Occupation, 1940-1944,
eds, Hirschfeld G., and Marsh P., New York, Oxford and Munich, Berg
Publications, pp. 103-125 >
read this text...
‘The
Late Picabia, Iconoclast and Saint’, Francis
Picabia 1879-1953,
Edinburgh, National Gallery of Scotland, Frankfurt, Éditions
Cantz., pp. 27-43 >
read this text...
‘Jean
Fautrier. Orthodoxy and the Outsider’, Art
International, 4, Paris, Autumn, pp. 33-40
>
read this text...
‘Imagination, Mathematics,
Balance’, Paule Vézelay, Zabriskie
Gallery, New York
>
read this text...
Paule Vézelay.
Early Work, 1904-1939, London, Michael Parkin Gallery,
Bristol, Arnolfini Gallery
>
read this text...
‘Regards
sur Minotaure. Geneva, Musée Rath. The
Burlington Magazine,
Vol. 130, No. 1018 (Jan., 1988), pp. 52-53. The Burlington Magazine
Publications Ltd. >
read this text...
‘Double
Rhythm: Fanfare for
Hélion’, Jean Hélion,
London, Albemarle Gallery, pp. 7-19 >
read this text...
‘Charles
Lapicque: Of Tigers, Trees and Tennis
Players’, Charles Lapicque, London, ASB
Gallery, June-August, pp. 9-18 >
read this text...
‘Fernand Léger, Art and Politics,
1935-1955’, Fernand Léger, the Later
Years,
London, Whitechapel Art Gallery, pp. 55-75. (Prestel Verlag for German
edition) >
read this text...
‘Ivon Hitchens (1893-1979):
Balcony View, Iping Church, 1943’, 100 Masterpieces
from the Courtauld Collections, London, Courtauld Institute
of Art Fund, p. 116
‘Stephen
Gilbert in Paris, Art Monthly
(June), ‘Sublime Indigo’ Apollo,
(July) > read this text...
‘On
Colour: George Hooper’. The Artist,
June.
pp 4-7 >
read this text...
‘France and the German Occupation, 1940-1944: Collaboration, politics and culture’, Art Monthly, no 112, London, December-January, pp. 5-6
‘André Fougeron : Painter with a commitment’, Art Monthly, no 111, London, November, pp. 15-16
‘Stephen Gilbert in Paris’, Art Monthly, no 104, London, March, pp. 14-15
‘Le
Surréalisme en Angleterre’, La
Planète Affolée, Surréalisme,
Dispersion et Influences,
Musées de Marseille, pp. 159-169 (curated English section)
>
read this text...
‘Gaston
Chaissac; in
situ’, Gaston Chaissac 1910-1964, London,
Fischer Fine Art, October-November, pp. 5-11
>
read this text...
‘The
Early Work of Jean Fautrier. Calais and
Amsterdam’. The
Burlington Magazine, Vol. 128, No. 996 (Mar., 1986), pp.
238-240. The Burlington Magazine Publications Ltd.
>
read this text...
‘Insel
Hombroich Arts Centre. Neuss’. The
Burlington Magazine,
Vol. 128, No. 1004 (Nov., 1986), pp. 849-850. The Burlington Magazine
Publications Ltd. >
read this text...
‘Nouveau Réalisme in Paris’, Art Monthly, no 101, London, November, pp. 11-12
‘Colour:
the Matissean inheritance’, Colour
since Matisse, New York, Taplinger Publishing Company, pp.
6-8 >
read this text...
‘Château Beaubourg’, Artscribe
International, 55, Dec-Jan 1985-6, pp. 38-39
> read this text...
‘New French Painting’, Art Monthly, no 67, London, June, pp. 24-5 >
read this text...
‘Tate
Gallery. Reg Butler’, Burlington
Magazine, February, pp. 106-8 >
read this text...
‘Paul
Eluard et la peinture surréaliste by Jean-Charles
Gateau’, Oxford Art Journal, Vol. 7, No. 1, Correspondences
(1984), pp. 71-72. Oxford University Press >
read this text...
‘Raoul
Dufy: Tradition, Innovation, Decoration’, Raoul
Dufy 1877-1953, London,
Arts Council of Great Britain, (Exhibition organiser with Bryan
Robertson), pp. 71-89 >
read this text...
Émile Mâle: Notre-Dame de
Chartres, Paris, Flammarion, pp. 187 (translation)
>
read this text...
Émile Mâle: Notre-Dame de Chartres,
New York, Harper and Row, pp. 187 (translation) >
read this text...
‘Paule
Vézelay
at the Tate’, Artscribe, no 40, London,
April, p. 51
>
read this text...
‘Raymond
Mason’, Artscribe, no
39, London, February, pp. 40-46.
>
read this text...
Peter Gough’s Sculptures in Flint.
Written on the occasion of Peter Gough’s sculpture in flint, London,
Abrant Gallery, 43, Charterhouse Square, EC1, 17 February – 13 March
1983. A group show, Andrew Carnie, John Chaple, Julie Opie and Lisa
Milroy followed to 22 April. Sarah Wilson visited Peter Gough in Lewes
with Vera Russell. (Article revised 9 October 2019)
>
read this text...
Sarah
Wilson ed. & transl, Aftermath, France 1945-1954, New
Inages of Man,
London, Barbican Art Gallery, several biograpical entries, etc.
(co-curator) >
read this text...
‘1937,
problèmes de la peinture en marge de
l’Exposition internationale’; ‘La vie
artistique
à Paris sous l’Occupation’;
‘Les jeunes
peintures de tradition française’;
‘Debats autour du
réalisme socialiste’, Paris-Paris,
Créations en France, 1937-1957, exhibition
catalogue, Paris, Centre Georges Pompidou, pp. 42-44, 96-100, 106-112,
206-212, (see also Gallimard1992 re-edition)
>
read this text...
‘Graham
Sutherland’ Encyclopedia Universalis
‘“La
Beauté Révolutionnaire?”
Réalisme Socialiste and French Painting,
1935-1954’, Oxford Art Journal, vol. 3,
2, pp. 61-9 >
read this text...
‘The Ballad of Egbert and Hilda’, London, NLCS Magazine 1968, pp. 29-30
‘The Magic Mirror’, North London Collegiate School Magazine 1967, Stage Supplement 16, pp. 28
‘Joshua Compston: Factual Nonsense and the Rise of the 1990s Young
British Artists’. Conversation with Sarah Wilson, Adam Baldwin and
Darren Coffield. Research Forum Events, The Courtauld – University of
London, Cobh, 22 Nov. 2024 >
see video
‘Anton Vidokle and the Institute of the Cosmos’. Anton Vidokle in
Conversation with Sarah Wilson. Sirius Arts Centre, Cobh, 1 July 2023 >
see video
‘Katya Muromtseva in conversation with Professor Sarah Wilson’. Pushkin House, London, 20 June 2023, 5:30 – 7:00 pm >
see video
‘Artist Talk: Katya Muromtseva in Conversation with Professor Sarah Wilson’. Pushkin House, London, 20 June 2023 >
see video
‘Art historian and curator Sarah Wilson on Wols’. Karsten Greve Gallery, Paris, 5 May 2023 >
see video
‘Brian O’Doherty: Reading Time Launch Event. A conversation between
Christa-Maria Lerm Hayes, Brenda Moore-McCann, and Sarah Wilson. Sirius
Arts Centre, Cobh, 11 March 2023 > read about, >
see video
‘To Speak of Everything: The Art of Raymond Mason. Curator Leo Costello
and art historian Sarah Wilson join Rail Editor-at-Large Andrew
Woolbright for a conversation’. The Brooklyn Rail, New York, 6 February
2023 >
see video
‘To Speak of Everything: The Art of Raymond Mason. Curated by Leo
Costello and Sarah Wilson. Works from the collection of The William
Louis-Dreyfus Foundation’. Gallery talk with Sarah Wilson followed by
the opening reception. New York Studio School, 10 January 2023 >
see video
‘The Arts: Contemporary Artists: New Visions from Old Histories’,
chair, Horasis Global meeting (zoom), with a distinguished
international panel. 19 May 2022 >
see video
‘En r’passant par la Hayward, 1983-4, avec mes souvenirs’. Raoul Dufy
Study Day, Musée de Montmartre, Paris, 08 December 2021 > read about
Presentation of the exhibition ‘Judit Reigl, First Abstraction
(1954-1966)’ by Sarah Wilson and Janos Gat. September 8 – November 20,
2021, Galerie Dina Vierny, Paris. 15 October 2021 > read about, >
see video
‘Decolonising the Museum? with Françoise Vergès’. Organised by
Professors Sarah Wilson and Sussan Babaie as part of their Frank Davis
Memorial Lecture series titled ‘Exiles and Émigrés’. 6 October 2021 >
see video
‘Faint with light’: Marianna Simnett in conversation with Sarah Wilson,
in Harry Woodlock’s series ‘Vital Exhaustion: Late Capitalism and the
Crisis of Pain’, Courtauld Research Forum, 19 November 2020 >
see video
‘Creators in the get-rich economy’: an ‘In Conversation’ with Arnaud
Esquerre, Sarah Wilson and Harry Woodlock, ‘Vital Exhaustion’,
Courtauld Research Forum, 11 November 2020 > read about, >
see video
‘Conversation between artist Sheila Hicks and art historian Sarah
Wilson’, one of a series of conversations with artists undertaken by
AICA-UK, Association of Art Critics and Art Writers. Paris, 15 July 2020 >
see video
‘Sarah Wilson & Adrien Sina, Democracy Pavilion, interview.
Festival Open City / Hospitality, curated by Paweł Leszkowicz &
Tomasz Kitlinski, 13.09 – 11.10 2019’. Lublin, 12 September 2019 >
see video
‘Sarah Wilson: Crowds and Power – Two Polish Artists in London: Marcin
Dudek and Ewa Axelrad’. AICA Berlin. Berlinische Galerie, Berlin, 4
October 2019 >
see video
‘Conceptualism and materiality’ conference and book launch hosted for
Christian Berger’s Conceptualism and Materiality: Matters of Art and
Politics, Brill, 10 October 2019 (Marie Curie Fellow under my aegis),
introduction, Courtauld. >
see video
‘The Palace of Ritual’. Sarah Wilson, Annie Jael Kwan, Maria Mileeva,
Michał Murawski, Peter Zusi. Convened by Perverting the Power Vertical
& the Avenir Institute. Palazzo Donà Brusa, Venice. Day 2, 10 May
2019, 2.00-6.00 pm >
see video
Professor Sarah Wilson presents her paper ‘Rip-off artists: Why do
artists copy other artists? From lettuces to kings’ as part of RES |
FEST 19 at The Courtauld, 9 May 2019 >
see video
‘Interview with Professor Sarah Wilson, Courtauld Institute of Art, UK.
Keynote of the International academic conference’. HSE Art and Design
School, Moscow, 10 April 2019 >
see video
‘Presentation of “Figurations ± 68 – The Visual World of French Theory”
by its author Sarah Wilson in conversation with Fabrice Flahutez,
Centre National des Arts Plastiques and the Bibliothèque Kandinsky /
National Museum of Modern Art/CCI, Centre Pompidou, 14 March 2019
‘New
Wave Realism – after Godard, after Althusser ±‘68’. Conference
organised by Hiromi Matsui. Nagoya University, 28 September 2018
‘Marcelo Brodsky: 1968, The Fire of Ideas’. ‘Art & Socio-Political
Dynamism’, conference organised by Hiromi Matsui. Waseda University,
Tokyo, 22 September 2018
‘Protest and Peril: Against the State. Petr Pavlensky in conversation
with Professor Sarah Wilson’. Pushkin House, London, 1 May 2018, 7:00
pm 8:30 pm >
see video
‘Les
Immatériaux: towards the virtual with J.-F. Lyotard’, The Courtauld
Institute of Art, London, March 27-28, 2015 > video Part 1
‘Les
Immatériaux: towards the virtual with J.-F. Lyotard’, The Courtauld
Institute of Art, London, March 27-28, 2015 > video Part 2
‘Les
Immatériaux: towards the virtual with J.-F. Lyotard’, The Courtauld
Institute of Art, London, March 27-28, 2015 > video Part 3
‘Les
Immatériaux: towards the virtual with J.-F. Lyotard’, The Courtauld
Institute of Art, London, March 27-28, 2015 > video Part 4
‘Cruel
Art: Picasso, Dalí, and the Banality of Evil’, Picasso/Dalí Conference:
Day 3, The Dali Museum, St Petersburg, Florida, February 22,
2015 >
see video
‘Sarah
Wilson’s lecture on Judit Reigl’, Ludwig Museum, Kálmán Makláry Fine
Arts, 28 September 2014 >
see video
‘Susan
Hiller & Sarah Wilson: A Conversation’. Royal College of Art ,
Visual Cultures Lecture Series. 2 December 2014, 6.30pm –
8pm. >
see video
‘Sheila Hicks - Pêcher dans la Rivière’, exhibition at the Alison
Jacques Gallery narrated by art historian Sarah Wilson, London,
2013 >
see video
Opening of the ‘Atelier Boris Taslitzky’ in Montrouge. April 7,
2013 >
see video
Part 1
Opening of
the ‘Atelier Boris Taslitzky’ in Montrouge. April 7, 2013 >
see video Part 2
‘Niki de Saint Phalle’, conference at the Cyclop, Espace culturel Paul Bédu, Milly-la-Forêt, 6. June 2013 >
see video
‘Chaire R-BUCE, with Sarah Wilson and Giulia Agostini’,
Université de Versailles Saint-Quentin-en-Yvelines, 2013 >
see video
‘Performance and zombie catholicism’, with Franko B., Corpo e Crudeltà, Accademia di
Belle Arti, Macerata, 2013 >
see video
Part 1
‘Performance
and zombie catholicism’, with Franko B. and Ron Athey, Corpo e Crudeltà, Accademia di
Belle Arti, Macerata, 2013 >
see video
Part 2
Interview
with Professor Sarah Wilson, The Courtauld Institute of Art.
Followed after Opening of The Exhibition: Dictionary Of An Artist | The
Drawings Of Viktor Pivovarov. 18 January 2012. Curator: Nana
Zhvitiashvili, Assistant Curator: Elena Walker. Interview
by Ondrej Tucek. Video by Lena Tchibor and Ondrej Tucek.
>
see video
Lecture: Professor Sarah Wilson and Victor Pivovarov. Dictionary Of An
Artist. January 18, 2012 >
see video Part 1
Lecture:
Professor Sarah Wilson and Victor Pivovarov. Dictionary Of An Artist.
January 18, 2012 >
see video Part 2
Sarah
Wilson, jury member for our Call for Entries, on the
Métamatic
Research Initiative and the outcome of the Call for Entries. April 5,
2011. >
see video
‘Moscow Romantic Exceptionalism? A Suspension of Disbelief’,
International symposium ‘Revisiting Conceptual Art: the Russian Case in
an International Context’, was held in Moscow at the Central House of
Writers. Organized by Boris Groys and Stella Art Foundation, 14-15
April 2011 >
see video
Between Heaven & Earth
- Panel Discussion.
Curator David Elliott, Historian of Art Aliya de Tiesenhausen and
artist Almagul Menlibayeva explore the themes raised by the exhibition.
Chair: Sarah Wilson (The Courtauld Institute of Art). Between Heaven
and Earth, 14 September—13 November,
2011.Calvert 22 Gallery.
>
see video
Part 1
Dr
Sarah
Wilson on Jean Tinguely, his Méta-matics and the
Métamatic Research Initiative. May 11, 2010. >
see video
‘Olga Chernysheva:
Tenderness and Danger’, FORMER WEST Research Seminar
Where the West Ends?, Museum of Modern Art Warsaw, 18-19 March
2010 >
see video
‘Sarah
Wilson, Ilya Budraitskis and Nadim Samman: Art Practices, Exhibitions
and Institutions’, FORMER WEST Research Seminar Where the West Ends?,
Museum of Modern Art Warsaw, 18-19 March 2010 >
see video
‘Matisse
Picasso, Creating And Destroying Histories – Part 3’, Tate
Modern, 22 June 2002 >
see video
Radio & TV
2014
‘Picasso-Marx and socialist realism in France’, with Viktor Misiano,
edited for BBC Russia by Alexander Kann
2006-9 London correspondent for France Culture, producer Jean Daive: ‘Peinture Fraîche’
2006-9 Duchamp, Man Ray, Picabia,Gilbert and George, Venice Biennales 07, 09, etc.
2004-5 ‘Peinture Fraîche’: Edward Hopper, Lucian Freud, Diane Arbus, Sickert,Toulouse Lautrec-Self Portraits
2004 In
Serge Poliakoff. Portrait intime du peintre, DVD, producer Elisabeth
Lennard, Paris, Artline Films >
see video (excerpts)
2003 ‘Peinture Fraîche’, producer Jean Daive, on Eva Hesse and Julia Margaret Cameron
2002
‘Double Jeu’, extensive interview with French TV personality Bernard
Pivot, France 2 TV channel. Filmed promenade through ‘Paris Capital of
the Arts’, Royal Academy of Arts, London >
see video
2001
‘Catharsis. Affiche de film imaginaire’. ORLAN. Le Plan Du Film, Al
Dante, Paris >
read this text...
1999
TV Interview on Orlan, ‘Metamorphoses’, Tower Productions, Candice
Weiner, Chicago. TV Interview on Saleem Arif, Islam in Britain, BBC,
director Navid Akhtar, Foreign and Commonwealth Office.Radio: ‘Jackson
Pollock’, Rembrandt, France-Culture
1998
‘Art and Communism’, BBC Radio 3
1998 ‘Peinture Fraîche’, producer Jean Daive, on Dylan Thomas, France-Culture (interview).
1997 ‘Nightwaves’, Hans Prinzhorn Collection; Orlan; Guernica; The Body, ‘Sensation’
1997 ‘Art
in their blood. Orlan, Ron Athey and Franko B.’, South Bank Show, 17
August 1997
1994 BBC2, producer, Samira Osman; ‘The Picasso Files’, (consultant), ‘The Late Show’, (Picasso). Tim Robinson: ‘Nightwaves’, BBC radio, on exhibition ‘L'Âme au Corps, Arts et Sciences, 1793-1993, Grand Palais, Paris. Modigliani drawings, Royal Academy.
1993 ‘Paule Vézelay’, interview, producer Julia Cave
1993 ‘The Late Show’, BBC radio, Niki de Saint Phalle.
1992 ‘Max Ernst’, Producer Open University. On camera extensive interviews (with Dawn Ades) filmed in office at Courtauld Institute. 1990/1 Interview with Waldemar Januszack on Courtauld Galleries, Somerset House (radio programme).
1986/7 ‘Bathers and Butterflies: Raoul Dufy’. Producer Andrew Snell, programme outline and consultant
1984 ‘Paule Vézelay’, Producer Louise Panton: ‘Women of Excellence’. Primary researcher (Germaine Greer used for interview)
1983-4 ‘Raoul Dufy, Hayward Gallery’. Radio interviews
1982
‘Aftermath, France, 1945-1954’ for the opening of the Barbican Art
Centre. Producer Kenneth Corden. Programme with Richard Baker and
Germain Viatte (Centre Pompidou)
The Courtauld
Institute of Art academic staff webpage, 2015 > follow this link...
Sarah Wilson
official website, 2015 > follow
this link...
AICA Honorary
Award to Sarah Wilson. AICA International 48th Congress, London,
October 26-29 2015 > follow this link...
Sarah Wilson
Wins 2015 AICA Honorary Award for Distinguished Contribution to Art
Criticism, October 22, 2015 >
follow this link...
Multisensory
show in Nordic pavilion is poetic with a powerful political message.
Space dedicated solely to a Norwegian artist for the first time. By
Sarah Wilson, 8 May 2015 > follow this link...
‘Les
Immatériaux: towards the virtual with J.-F. Lyotard’, The Courtauld
Institute of Art, London, 27-28 March 2015 >
follow this link...
Lyotard ‘Les
Immatériaux’, Conference at the Courtauld, Official site of AICA, March
27-28, 2015 > follow this link...
Academia.edu
> follow this link...
‘Curating
Language Acts’. The Tetley, Leeds, 25 September 2015 > follow this link...
‘Picasso / Marx,
and Socialist Realism in France’, Sarah Wilson. Liverpool University
Press, 2014 > follow this link...
‘Paper Museums:
Moscow Conceptualism in Transit conveys sense of dissident excitement’,
11 July 2014 > follow this link...
‘Susan Hiller
& Sarah Wilson: A Conversation’. Royal College of Art , Visual
Cultures Lecture Series. 2 December 2014, 6.30pm – 8pm > follow this link...
Susan Hiller in
conversation with Sarah Wilson, 27/11/2014 > follow this link...
‘Inauguration de
l’Atelier de Boris Taslitzky’, Montrouge, 7 avril 2013 > follow this link...
‘Essay: Sarah
Wilson, Kurt Schwitters in England’, 2013 > follow this link...
‘Jean-François
Lyotard and Jacques Monory: Screens’. Space Studios gallery, London, 12
April-02 June 2013 > follow this link...
‘Jean-François
Lyotard and Jacques Monory’. Space Studios gallery,
London, 12 April-02 June 2013 > follow this link...
‘Jacques
Monory and Jean-François Lyotard’. With Jacques Monory, Sarah Wilson
(Professor, Courtauld Institute), Herman Parret (Professor Emeritus,
Higher Institute of Philosophy of Leuven University (Belgium), Jonathan
Lahey Dronsfield (Reader in Theory and Philosophy of Art, Reading
University) and Paul Pieroni (Exhibitions Curator, SPACE). Institut
français du Royaume-Uni, 14 May 2013 > follow this link...
‘Encounters:
Lyotard & Monory’. Frieze blog, 7 June, 2013 >
follow this link...
‘Deleuze and
Interdisciplinarity: from Capitalism and Schizophrenia to the Centre
Georges Pompidou (keynote); ‘Interdiscipline’, AAANZ (The Art
Association of Australia and New Zealand) Annual Conference, 2013
> follow this link...
The Urgency of
Art History: Conversation between Huang Zhuan and Sarah Wilson.
December 10, 2012 > follow this link...
‘The Visual
World of French Theory. Figurations’, Sarah Wilson, Yale University
Press, Shortlisted for the 2012 R.H. Gapper Book Prize awarded by the
Society for French Studies (UK Award) > follow this link...
‘Gilles
Deleuze & Michel Foucault: Photogenic Painting’, The Voice
Imitator, 24 January 2011 > follow this link...
FORMER WEST,
Sarah Wilson, Museum of Modern Art Warsaw, 18-19 March 2010
> follow this link...
‘Where the West
Ends?’, FORMER WEST, Museum of Modern Art Warsaw, 18-19 March
2010 > follow this link...
‘Olga
Chernysheva: Tenderness and Danger’, FORMER WEST, Museum of Modern Art
Warsaw, 18 March 2010 > follow this link...
‘Art Practices,
Exhibitions and Institutions’, Sarah Wilson, Ilya Budraitskis and Nadim
Samman, FORMER WEST, Museum of Modern Art Warsaw, 19 March 2010
> follow this link...
‘Cold,
Cold Heart’. Video art and performance weekend at Somerset House.
Participating artists: Mattias Akerfelt (Sweden), Olga Chernysheva
(Russia), Jesper Just (Denmark), Ragnar Kjartansson (Iceland), Antti
Laitinen (Finland), Elena Nasanen (Finland), Torbjorn Rodland (Norway),
Richard T. Walker (UK). Somerset House, Courtauld Institute of Art,
Strand, London, 20-22 October 2006 > follow this link...
‘Art in their
blood. Orlan, Ron Athey and Franko B.’, South Bank Show, 17 August
1997 > follow this link...
‘Pierre
Klossowski’, curated by Sarah Wilson. Whitechapel Art Gallery, 20
September - 19 November 2006 > follow this link...
‘Pierre
Klossowski’, curated by Sarah Wilson. Whitechapel Art Gallery, 20
September - 19 November 2006 > follow
this link...
‘The Vicious Circle’, curated by Sarah Wilson and Adrien Sina. Whitechapel Art Gallery, 20
September - 19 November 2006. > follow
this link...
Centre Pompidou
archive search engine > follow this link... & enter:
Sarah Wilson
Sarah Wilson (art
historian) – Wikipedia, the free encyclopedia > follow this link...
A
Adel Abdessemed, 2017
Valerio Adami, 2010
Natalie Adamson, 2011
Gilles Aillaud, 2010
Louis Althusser, 2010,
Roberto Alvarez-Rios, 2010
Arman, 1993
Recalcati Antonio, 2010
Louis Aragon, 2010
Saleem Arif Quadri, 1994, 2015
Eduardo Arroyo, 2010
Antonin Artaud, 2009
Assia, 2001
Ron Athey, 1997, 2013
Evelyne Axell, 2003, 2004
B
Franko B, 2001, 2013
Francis Bacon, 2009
Joséphine Baker (Negrophilia), 2001
Myriam Bat-Yosef, 2005
Jean Baudrillard, 1993
Roland Barthes, 1993
Henri Bergson, 2013
William Blake, 2011
Maurice Blanchot, 2003
Eric Boulatov, 2014
Pierre Bourdieu, 2010
Fernand Braudel, 2014
Pierre Buraglio, 1993
C
Alexander de Cadenet, 2010
Gaston Chaissac, 1986, 2011
Olga Chernysheva, , 2006, 2010
Jean Clair, 1992
Joshua Compston, 1996
Henry-Claude Cousseau, 2012
Leonardo Cremonini, 2010
Henri Cueco, 2010, 2015
Raphaël Cuir, 2009, 2014
Pip Culbert, 2013
D
Salvador Dalí, 2015
Gaston Defferre, 1986
Giles Deleuze, 2015, 2013, 2010,
2009,
1999
Jacques Derrida, 2010, 1997,
1996
Daniel Dezeuze, 2020
Gabriel Dubois, 2012
Marcel Duchamp, 2001
Raoul Dufy, 1983
John Dugger, 2014
E
Erró, 2015, 2010,
2004,
1999
Max Ernst, 1991a,
1991b
F
Lucio Fanti, 2011, 2010
Jean Fautrier, 1995, 1991,
1988,
1986
Yevgeniy Fiks, 2014
Lucien Fleury, 2007
Bruno Foucart, 2008
Michel Foucault, 2010
André Fougeron, 1991, 1998, 2010, 2014, 2017
Gabriel Fournier, 1992
Ruth Francken, 2010, 2007, 2004,
2001a, 2001b
Gérard Fromanger, 2010,
G
William Gear, 1990
Jean Genet, 1997, 1996
Artemisia Gentileschi, 2014
Jochen Gerz, 2004
Alberto Giacometti, 2009
Stephen Gilbert, 1987
Mark Gisbourne, 2015
Peter Gough, 1983
Boris Groys, 2012, 2011
Francis Gruber, 2009
Félix Guattari, 2010
H
Jean Hélion, 2010
Hessie, 2015
Nicholas Hewitt, 2003
Sheila Hicks, 2013a, 2013b, 2014
Susan Hiller, 2014
Ivon Hitchens, 1987
I
Iliazd, 2019
J
Amelia Jones, 2006
Michel Journiac, 2003, 2001
Lucia Joyce, 2011
K
Tadeusz Kantor, 2011
Peter Klasen, 2010
Yves Klein, 2009a,
2009b
Pierre Klossowski, 2014, 2007,
2006,
2003
Alexandre Kojève, 2014
Josef Kosuth, 2014
György Kovásznai, 2014
Zofia Kulik, 1999a,
1999b, 2001,
2004, 2020
Oleg Kulik, 2007, 2003
L
Marie-Anne Lansiaux, 1997
Charles Lapicque, 1987, 1989
Robert Lapoujade, 2010
Jean-Claude Latil, 2010
Uwe Lausen, 2015
Le Corbusier, 2007
Fernand Léger, 2004, 1997,
1988,
1987
Nadia Khodossievitch Léger, 2010, 2004, 1997a,
1997b
Tilly Losch, 2011
Liliane Lijn, 2006, 2018,
Jean-François Lyotard, 2010,
2013, 2015
M
Malassis, 2010
Émile Mâle, 1983a, 1983b
André Malraux, 2014
Yann Marussich, 2015
Karl Marx, 2015, 2014, 2010
Raymond Mason, 2011, 1989,
1983
André Masson, 1989
Henri Matisse, 2009, 2001,
1993,
1992, 1985
Mireille Miailhe, 2010, 2014
Joan Miró, 2004
Jacques Monory, 2014, 2013,
2010,
1999,
1998
Marlow Moss, 1997
Willi Münzenberg, 2014, 2012
N
Libero Nardone, 2001
Reem Nazir, 1999
O
ORLAN, 1996, 1998,
2010
P
Petr Pavlensky, 2017, 2019
Francis Picabia, 1989, 1988
Pablo Picasso, 1994,
2002, 2013a, 2013b, 2014, 2015
Edouard Pignon, 1997
Duncan Phillips, 1998
Serge Poliakoff, 2004
Chantal Pontbriand, 2011a,
2001b
Victor Pivovarov, 2012
Alexander Ponomarev, 2009, 2010
R
Bernard Rancillac, 2003, 2010,
2015
Antonio Recalcati, 2018
Judit Reigl, 2014a, 2014b
Rembrandt, 1996, 1997
Germaine Richier, 1997, 2005, 2014, 2019
Hans Richter, 2014, 1989
Fabio Rieti, 2010
S
Robert Sainsbury, 1998
Niki de Saint Phalle, 2002, 2008, 2014
Valentine de Saint-Point, 2009
Jean-Paul Sartre, 2010
Kurt Schwitters, 1994, 1995, 2013
Amrita Sher-Gil, 2015
Yinka Shonibare, 2014
Adrien Sina, 2011, 2009,
2005
Sobranie, 2006
Alina Szapocznikow, 2008, 2011
T
Dorothea Tanning, 1989
Boris Taslitzky, 2010, 2013, 2014, 2015
Hervé Télémaque, 2010
Jean Tinguely, 2010
Amikam Toren, 2014
Yesenia Trobbiani, 2014
U
V
Paule Vézelay, 1988, 1989, 1989, 1995, 1997, 2017
Germain Viatte, 1982, 1981, 1985-6a, 1985-6b
Dina Vierny, 2001
W
Andrzej Wrona, 2007
Y
Nil Yalter, 2007
Z
Mao Zedong, 2020
Fahrelnissa Zeid, 2017a (Eng), 2017b (Germ)